- The corn maiden and other nightmares / Joyce Carol Oates.
- Dangerous laughter : thirteen stories / Steven Millhauser.
- The knife thrower and other stories / Steven Millhauser.
- Assorted fire events : stories / David Means.
- Best horror of the year : 1 / by Ellen Datlow.
- A Walk on the darkside : visions of horror / edited by John Pelan.
- Proverbs for monsters / Michael A. Arnzen
- Borderlands 2 : an anthology of imaginative fiction / edited by Thomas F. Monteleone
- The collected stories of Carol Emshwiller.
- The early Long / Frank Belknap Long
- Owls hoot in the daytime and other omens / edited by John Pelan.
- A touch of strange [by] Theodore Sturgeon
- Fugue state : stories / Brian Evenson ; with art by Zak Sally.
- The Anchor book of new American short stories / edited by Ben Marcus.
- Samuel Johnson is indignant : stories / Lydia Davis.
- Assorted fire events : stories / David Means.
- The secret goldfish : stories / David Means.
- The Barnum Museum : stories / by Steven Millhauser.
- The Mammoth book of best new horror. Vol. fourteen / edited and with an introduction by Stephen Jones
Actually, many of the books on this list fall under headings such as Fantastic (in the tradition of the weird tale perhaps) & Fantasy -- not "horror" -- though guys like Evenson regularly end up in Best Of horror anthologies. But these are all slippery terms so why bother I suppose.
Much of what I have been reading is more traditional horror (creature, supernatural, etc.) from various anthologies--quite a few of which seem pretty uneven cover to cover, with four or so really good stories, some mediocre, and some just plain old duds. By 'really good' I mean both very well written and very scary; but too many of the stories are painfully overwritten IMO. Details elaborated on or explained that don't need elaboration. Events or happenings interpreted that don't need interpretation. I mean, what the hell, you just gotta trust the reader to make some leaps and "get it" along the way. Otherwise you end up writing a map complete with a "let me spell everything out for you" legend it seems, not so much a story. One collection I recently finished, Jeffrey Ford' Empire of Ice Cream, had 3 superb stories: The Beautiful Gilreesh, Boatman'sHoliday and The Trentino Kid.
Here is one more review.
I think about Carol Emshwiller and a short piece she penned on writing rules to break, specifically the "leaving out" idea would benefit some of these stories I have been reading. If you have read any of the books on the list above, would love to hear your thoughts.
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